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Lydia Davis Quotes
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American
-
Writer
Born:
July 15
, 1947
I don't like to hurt people's feelings, and I don't like to knock other writers as a matter of principle.
Lydia Davis
People
Hurt
Matter
Feelings
I wrote the first draft of 'Madame Bovary' without studying the previous translations, although I gathered them and took the occasional peek.
Lydia Davis
Studying
Without
First
Them
Often, the idea that there can be a wide range of translations of one text doesn't occur to people - or that a translation could be bad, very bad, and unfaithful to the original.
Lydia Davis
People
Bad
Text
Translation
I started writing the one-sentence stories when I was translating 'Swann's Way.' There were two reasons. I had almost no time to do my own writing, but didn't want to stop. And it was a reaction to Proust's very long sentences.
Lydia Davis
Time
Long
Way
Stop
I've gotten very alert not just to mixed metaphor but to any writing mistake.
Lydia Davis
Mistake
Writing
Just
Very
I see people sometimes who remind me of my narrators.
Lydia Davis
Me
People
Sometimes
See
My stories are sometimes closer to poems or meditations, but often there is at least a little narrative in them.
Lydia Davis
Sometimes
Closer
Little
Them
I do see an interest in writing for Twitter. While publishers still do love the novel and people do still like to sink into one, the very quick form is appealing because of the pace of life.
Lydia Davis
Life
Love
People
Writing
I would recommend, definitely, developing a 'day job' that you like - don't expect to make money writing!
Lydia Davis
Day
Money
You
Job
I think the close work I do as a translator pays off in my writing - I'm always searching for multiple ways to say things.
Lydia Davis
Work
Think
Writing
Say
I never dream in French, but certain French words seem better or more fun than English words - like 'pois chiches' for chick peas!
Lydia Davis
Words
Fun
Better
Never
I don't pare down much. I write the beginning of a story in a notebook and it comes out very close to what it will be in the end. There is not much deliberateness about it.
Lydia Davis
End
Beginning
Down
Will
I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.
Lydia Davis
I Am
Wish
Person
Classroom
I follow my interests pretty - I don't like the word 'intuitively.' I follow them in a kind of natural way, without questioning them too much.
Lydia Davis
Way
Follow
Too Much
Like
I think I have a sense right in the beginning of how big an idea it is and how much room it needs, and, almost more importantly, how long it would sustain anybody's interest.
Lydia Davis
Long
Beginning
Think
More
I find teaching - I like it, but I find just walking into the classroom and facing the students very difficult.
Lydia Davis
Walking
Find
Classroom
Difficult
I always interrupt work with other work, either in a small way or big way, so that's normal.
Lydia Davis
Work
Way
Small
Always
All of the little entries in 'The Cows' were written in an irregular way. There might be one or two done one day, and then two weeks might go by or four weeks, and then they were put in an order or sequence.
Lydia Davis
Day
Way
Go
Done
Ordering is difficult. It's like arranging pieces of music in a concert: What do you put first? What do you put after the intermission? I want the reader to be sort of surprised, to come to each story freshly.
Lydia Davis
Music
You
Difficult
Want
Collections aren't really planned. I just keep writing short pieces until I have enough for a collection.
Lydia Davis
Short
Writing
Enough
Just
I first read 'Madame Bovary' in my teens or early twenties.
Lydia Davis
First
Early
Read
Madame
The existence of another, competing translation is a good thing, in general, and only immediately discouraging to one person - the translator who, after one, two, or three years of more or less careful work, sees another, and perhaps superior, version appear as if overnight.
Lydia Davis
Work
Good
Person
Three
If a translation doesn't have obvious writing problems, it may seem quite all right at first glance. We readers, after all, quickly adapt to the style of a translator, stop noticing it, and get caught up in the story.
Lydia Davis
Style
Problems
Stop
Writing
Of course we may have any number of translations of a given text - the more the better, really.
Lydia Davis
Better
More
May
Text
Even though I believe a superlative translation can achieve timelessness, that doesn't mean I think other translators shouldn't attempt other versions. The more the better, in the end.
Lydia Davis
Believe
End
Think
Better
I do see an interest in writing for Twitter.
Lydia Davis
Writing
See
Interest
Twitter
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