I think what I've recognized over the years is that I'm very, very bingey, extremely bingey when it comes to writing.
I used to be, when I was young, I used to be extremely regular and very organized.
I worked for a lot of directors.
Everyone I know who used to be in the intelligence community is moving into the corporate world.
Developing films with directors, developing films with actors, is a poor percentage play for a screenwriter.
A reversal is just anything that's a surprise. It's a way of keeping the audience interested.
I love the idea of spies in love. How would it work between two people who were so programmed to lie and be suspicious, who have a whole life based on pretence?
I spend a lot of time in a sort of free state when I'm writing in the beginning and sketching.
You change or you hide your head in the sand.
You can't teach someone to be imaginative.
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